Abstract
An attempt is made to shed light on the identity of the Nabataean 'Painted House' from an understanding of its plan, the content of the painting and the function of the associated features, mainly the water installations. This study reveals new mythological figures unnoticed by previous scholars. These include additional cupids and, most importantly, Isis. The water installations of the monument, its functions and meaning, the content of the painting combined with comparative studies of Mediterranean and Near Eastern evidence all suggest that this monument was an Isiac (Isis) sanctuary devoted to her as a goddess of improved quality of life, good crops, good herds, and love.
| Original language | English |
|---|---|
| Pages (from-to) | 31-42 |
| Number of pages | 12 |
| Journal | Palestine Exploration Quarterly |
| Volume | 142 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - Mar 1 2010 |
| Externally published | Yes |
Keywords
- Baidha
- Isis
- Nabataean religion
- Nabatean art
ASJC Scopus subject areas
- Archaeology
- History
- Visual Arts and Performing Arts
- Religious studies
- Archaeology